shock of escalation.
PLAYLIST:
| Artist | Song | Release | Released | Label |
|---|---|---|---|---|
| uncle weed x winterkeep | Remnants & Artefacts | EP // thinking about nothing yet so much *life* | 2026 | Self Released |
| Praise Space Electric | Cybernetic Experiment X | Dave Brock Presents… This Was Your Future | 2022 | Cherry Red Records |
| Oren Ambarchi | And So Say All Of Us | Long Story Short | 2026 | Bocia |
| Loren MazzaCane Connors | Hours | Sidereal Rest | 1995 | Scratch |
| Bark Psychosis | All Different Things | Independency | 1994 | 3rd Stone |
| Beam-Splitter | Elaine and Mariam | Dedicated Play – Live at Morphine Raum | 2026 | Tripticks Tapes |
| Kronos Quartet | String Quartet No. 3: Some Aspects of Peltoniemi Hintrik’s Funeral March | Schulthorpe/Sallinen/Glass/Nancarrow/Hendrix | 1986 | Nonesuch Records |
| Zora Jones | Angel Crisis | Angel Crisis | 2026 | Belly Fat |
| Atomic Rooster | Winter | Atomic Rooster | 1970 | Castle Communications |
| Rapoon | Remembered particles | Grain of Light | 2026 | Unexplained Sounds Group |
| Bauhaus | King Volcano | Burning from the Inside | 1983 | Beggars Banquet |
| High Tide | Blankman Cries Again | Sea Shanties / High Tide | 1970 | Parlophone UK |
| Masaaki Masao & Joy Von Spain | Cages Must Bleed | 100pieces 2007-2010 | 2026 | To End It All |
| Ashkan | Darkness | The Krautrock & Progressive Box Set “The Secret Archives” | 2018 | Music Brokers |
| Globular | Blissed Out & Madly In Dub | Love Letter To A Lost World | 2026 | Self Released |
| A Certain Ratio | Flight | Factory Records: Communications 1978 – 92 | 2007 | Rhino |
| Lee Ranaldo | Ambient Loop for Vancouver (edit) | Ambient Loop for Vancouver | 2015 | Important Records |
What's This Called? - Listening Center 
dear Ricardo Wang,
your dedication to surfacing and broadcasting interesting music for decades is most commendable
and your choice of playing “remnants and artefacts” from “thinking about not thinkng, yet so much *life*” EP was truly appreciated
as it goes, that’s me reading at the intersection where Jack Kerouac mentioned in piece from San Francisco blues, him in the 1950s me in early 2000s, combined with the soundscape created from a transplant from the UK to New Zealand, and me long gone from Olympia and now in Okayama Japan… It all just kind of made sense.
Thank you for all of that, and I would like to send you a postcard of gratitude with a poem typewritten at Lake Crescent, Olympic Peninsula, 2004
daveo/uncleweed